I create surrealistic landscapes drawing inspiration from various places I have visited, from conversations, from my father’s library, and from the place where I grew up. I avoid realistic depiction, and emphasize the creation of new paintings. The field of reconfiguration played a key role in the way I approached my sense of space and parallel planes.  In this way I have been able to create my own spaces with superimposed planes, enlarging or reducing existing objects, thus giving them disproportionate dimensions in space and time.

More specifically, as in the physical environment, there is a hierarchy of visual elements in the design.  Others are in front and others are further back. In the present case, my works show asymmetry in perspective, dynamic colours but also polarisation in their functional structure; the space is oriented, variable and inhomogeneous.

All the works in this section have an experiential character. The symbolisms constitute an essentially reconfiguration of reality.

The central character of the works is Roulis, who has the role of an observer. He is a paleomorphic character that changes according to the circumstances of each composition. This is because each work conveys a distinct feeling, another experience, a distinct state. It functions in a special way as an extension of my conscious world. The materials I tried over the years were oils, acrylics, plastic, charcoal and paper tape. So, through a process of experimentation with paints and with plaque, I settled on acrylic paints. My works are painted on canvas with acrylic paint, as I described above, with the use of paper tape at times to give more precision to certain parts of the works or to create one.

From the surrealistic landscapes with ultraviolet buildings, to the spaceship of the escape route, you can see the tile technique in all its folding.

Beginning with painting, learning academic drawing, and over time seeking out additional modes and techniques, I discovered the tile technique. It was the technique in which comic books had been drawn and painted, but it was also a key feature of Pop Art the painting movement that fascinated me with its clean color forms and pastel shades, and created a desire to learn to paint in this way. Thus, I immersed myself more and more in this style.

The materials I tried over the years were oils, acrylics, plastic, charcoal and also paper tape. So, through a process of experimentation with paints and with plaque, I settled on acrylic paints. My works are painted on canvas with acrylic paint, as I described above, with the use of paper tape at times to give more precision to certain parts of the works or to create one.

Another equally important element is the illusion of space, which in my works is primarily design-based with a shifting of layers of monochromatic surfaces, but also with the inclusion of gesture primarily in the background of the works. This has resulted in the creation of a diversity of writing between the tile and the gestural elements that I have incorporated into my works.

As can be observed, the graphic-cartoon characte, as well as large areas of solid colors, are the dominant elements of my compositions. The main aim is to create compositions that have a sense of dynamism, calm and stability; where the colours, shapes, and the space created between them, which in itself is a space creator, manage to balance in the midst of this intense acrobatics.